The Resurrection of Drama – A Review of Kingdom Triangle by Moreland

In this wildly ambitious work, Moreland seeks to cure Christianity from the malaise that plagues – the death of drama; he is mostly successful, though not for the reasons he would give. Written for a popular audience, the Kingdom Triangle is divided into two sections; the first attempts to show us the “crisis of our age,” attacking Naturalism and Postmodernism as the destroyers of drama. The second part is more hopeful, and is Moreland’s attempt to construct a solution to the problem by means of three foci: knowledge, the soul and supernaturalism. With his insistence upon objectivity and reluctance to engage the best of Christian postmodern thought, readers risk being more entrenched against any other approach to knowledge and theology. However, the other parts of the work shine in comparison. When Moreland is attacking naturalism and working to instill drama he is much more effective. This combination of strengths and weaknesses make this book a minefield for the lay reader. There is much good to be had, but one can easily get the impression that all postmodern and emerging Christians are to just as feared and protected against as the Catholic Church.[1]

Drama for your mamma (and the rest of the Body of Christ)

The chief contribution of this work is Moreland’s drive to instill drama in our lives. Moreland’s use of drama is interesting and is the most important theme in the book. Moreland sets it up as the life full of meaning and purpose contrasting it with the drabness of everyday life. His awareness of the hunger for drama is startling and speaks to a need which likely resonates with much of his readership. Wise are the ways Moreland suggests Christians resurrect drama and acute are the causes he identifies for its crucifixion. He identifies the narcissism, individualism, passivity, and immaturity of the self that our popular culture produces;[2] and advocates the flourishing of the self, which includes the development of self-denial, character, and the spiritual disciplines.

Don’t, Stop, Manifesting the Spirit…

Perhaps the most controversial part of the book for the target audience is Moreland’s insistence that we recover the activity of the Spirit in our daily lives. He calls this “being naturally supernatural”[3]  and attacks Cessationists. In great contrast to his dealings with Postmodernist Christians and Catholics, he advocates love and charity towards people on different places on the continuum of the Spirit’s activities.[4]  This advice is much needed in the North American Church today. He primarily challenges Cessationists by appealing to personal stories and the numbers of Charismatics in the world. Oddly enough, Moreland does not use Scripture to challenge Cessationists. Given his high view of and condemnations by means of Scripture, one would have expected the same here. Ultimately, his wisdom, gentleness, and honesty are instructive in this section.

I refute him thus!

“I refute him thus!” was Samuel Johnson’s exclamation as he broke his foot upon a rock in an attempt to refute Berkley’s idealism.[5]  It is also method of attack Moreland employs in his critiques of Naturalism and Postmodernity.[6]  Moreland’s treatment of Postmodernism is the chief disappointment Kingdom Triangle. Moreland, the unapologetic modernist,[7]  constructs the frailest version of postmodernism possible for the purposes of rendering asunder with the mighty blows of the three-sentence-proof. Moreland goes so far as to dismiss and critique of his characterization of postmodernism by saying: “For one thing, my description of postmodernism is an accurate account that fairly captures and understanding of postmodernism … [so] I can hardly be accused of offering a caricature of the movement.”[8]  This rather grumpy, defensive, and dismissive tone is found throughout his discussion of Naturalism, Postmodernism, and Knowledge. Moreland unfortunately, for one of Evangelical Christianity’s most highly regarded philosophers, reduces all of postmodernity into a “synonym for deconstructive relativism.”[9]  Too often Moreland attacks his constructed postmodernism[10]  with simplistic proofs which bypass the real issues at hand. An excellent example of this is his discussion of objectivity and language.[11]

This seems like a rhetorical strategy to appeal to the value of common sense and anti-intellectualism of his intended audience. This, combined with a lack of real engagement of the best of Christina postmodern theory will hinder the intellectual development of his readers in the wake of Modernity’s decline. It reeks of entrenchment rather than engagement.

The Gentle Curmudgeon

One final criticism of Kingdom Triangle is the bipolar writing style that Moreland employs. When attacking Naturalism and Postmodernism and constructing a theory of knowledge, Moreland writes in a grouchy, dismissive, and immature tone. He repeatedly deems things “sad” and uses brute force to argue his claims (see his listing to all the verse in the Bible that contain the word knowledge).[12]  This is contrasted with the genuine love and concern from which he writes his other chapters.

Conclusion

Ultimately this book is a mix of the best and worst from Moreland. Moreland argues for the best possible modernist/foundationalist Christianity, and attacks the worst postmodern secularism, which he ties to all Christian postmodern thought. However, With the exception of the chapter on Knowledge, Christians would be wise to heed his words concerning the resurrection of drama. I would modify Moreland’s argument (that Naturalism and Postmodernism have caused the death of drama) to the Church’s acceptance of Modernism and lack of a response to its death have caused and sustained the death of drama. It is a shame this was not a two-volume work.

1. Moreland is deeply skeptical in this work about the orthodoxy of the Catholic Church , warning evangelical Christians to steer clear of their spiritual development classes (p.159). [↩]
2. Moreland, Kingdom Triangle, 142-145. [↩]
3. Ibid., 182. [↩]
4. Ibid., 178-179. [↩]
5. For more on this, see Dinesh D’Souza, What’s so great about Christianity (Regnery Publishing, 2007), 171. [↩]
6. While Moreland and I agree on the perils of Naturalism, Moreland has a too narrow of a definition of postmodernism, see notes 12 and 13. [↩]
7. See his infatuation with the self and objectivity, and unquestionable support of the correspondence theory of truth in Moreland,Kingdom Triangle, 78-88. and dismissal of critiques of modernity, such as the role of language creating worlds rather than nakedly describing them in Ibid., 85, 87. [↩]
8. Ibid., 87. [↩]
9. Franke, Character of Theology, The, 21. [↩]
10. It is difficult to construct a positive definition of the varied modes of postmodernist theory. I follow Franke in maintaining that Postmodernism is best defined minimally as the critique of Modernity which requires “radical surgery.” See Ibid. [↩]
11. Compare Moreland, Kingdom Triangle, 86. with Stanley J. Grenz, A Primer on Postmodernism (Wm. B. Eerdmans Publishing Company, 1996), sec. The Problem of Language. [↩]
12. Moreland, Kingdom Triangle, 114-120. Moreland opts for the brute-force technique for arguing that our knowledge must be certain (by his criteria and his criteria only, which happens to be foundationalist in nature). [↩]